My Lists
Featured Lists
REVIEWS
Library Journal
Reviewed on April 1, 2012 | Arts and Humanities
Hong's poetry engine generates imagined worlds that weirdly parallel the ones we know. The book (her third, after Dance Dance Revolution) has three parts, each set in a different milieu: a rollicking Wild West that mildly resembles California à la Michael Ondaatje's Billy the Kid; Shangdu, a prototype boomtown; and a cloud-based future in which one can recall "the antique ringtones of singing/ wrens, babbling babies, ...Log In or Sign Up to Read More