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Originally published in 1982 and updated in 2010, this work’ slatest edition, with a foreword by curator Sylvie Patry examines the formal qualities of impressionist Berthe Morisots’ use of color, form, style, and brushstrokes. Art historian and curator Rey (Monet: Water Lilies) praises Morisots’ work but at the same time uses reductive and feminizing language to describe its qualities...Log In or Sign Up to Read More