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By the early 20th century, British photography seemed to be resting on its laurels, with an entrenched establishment clinging to a conservative pictorialist style and little room for innovation. That—as this exhilarating title shows—would dramatically change beginning in the 1930s as an expanded definition of documentary style emerged. Through lengthy essays on broad trends and shorter notes on individual photographs, photographer/art critic Bad...Log In or Sign Up to Read More